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Journey 7 of 10 · 7 steps

Sound Made Visible

Cymatics and the music of shapes

From Chladni’s sand patterns to the chords hidden inside solids: vibration draws geometry, and geometry sings.

Play it in SacredForm

In the app each step moves: figures draw themselves, rise from the page, turn and slice, and the narration can be read aloud. Here they are held still, one picture each.

  1. Sand on a plate: Chladni Figure

    Step 1 · Chladni Figure

    Sand on a plate

    In 1787 Ernst Chladni sprinkled sand on a metal plate and drew a violin bow along its edge. The sand jumped away from the vibrating parts and settled on the lines that stayed still.

  2. Higher notes: Chladni Figure

    Step 2 · Chladni Figure

    Higher notes

    Raise the pitch and the plate divides into more and smaller regions, and the nodal lines grow more intricate.

  3. Symmetry: Chladni Figure

    Step 3 · Chladni Figure

    Symmetry

    On a square plate, patterns (n, m) and (m, n) share the same pitch, so they mix, adding and subtracting into these interlaced figures.

  4. Ratios make form: Rhodonea Rose

    Step 4 · Rhodonea Rose

    Ratios make form

    Simple number ratios make simple, closed forms. It is the same reason a musical fifth (3 : 2) sounds consonant.

  5. Shapes that ring: Cube

    Step 5 · Cube

    Shapes that ring

    The other way round: treat every edge of a solid as a spring and every corner as a mass. It rings at its own set of frequencies. The cube’s partials are in the ratios 1 : √2 : √3. Tap the figure to hear it.

  6. A golden chord: Icosahedron

    Step 6 · Icosahedron

    A golden chord

    The icosahedron’s frequencies involve √5: its partials carry the golden ratio. Every figure in the library has a voice. Try the scanner and drone in Explore.

  7. Close the loop: Flower of Life

    Step 7 · Flower of Life

    Close the loop

    Send any shape’s chord to the Chladni plate and see what pattern its sound draws. Shape becomes sound becomes shape. Open Cymatics